MIGUEL RIO BRANCO Dislecsia
Dislecsia is a large collage of images made by Miguel Rio Branco since his beginning in photography, when he was still mostly involved in painting. The idea of Dislecsia came from the fact that in poetry the way we construct is not necessarily the same as in usual common daylife. For Miguel Rio Branco it is poetic reality that counts. It is not reality that is real, but the way in which he as an artist experiences it and recreates it. On the basis of his ide

Une exposition du grand photoreporter suisse René Burri rend hommage à son ami Jean Tinguely (1925-1991), à l'Espace Jean Tinguely – Niki de Saint-Phalle. Les Fribourgeois redécouvrent «leur» artiste grâce à cette exposition créée en 2005 par le Musée Tinguely de Bâle, avec la collaboration de l'agence Magnum. «Tinguely et Burri se ressemblent: même profondeur, même vitesse du geste, humo

De l'école des Arts appliqués de Zürich, dont il fut l'élève le plus prestigieux, aux Andes péruviennes où il se tua à 38 ans, la ligne est tendue, nette, stricte. Sa courte vie durant, Bischof a mené, avec rigueur et obstination, une double quête. Celle d'un certain ordre
des choses, harmonieux et serein - il trouva au Japon un terrain d'élection - mais celle aussi d'un ordre social d'où la misère ...

-Les plus grandes photographies du XXe Siècle-

Livret : David Alan Harvey

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Une reproduction Grand format

Harry Gruyaert (born in Belgium in 1941) began his career as a Director of Photography in television production, but by the early 1970s he had moved over to still photography. He picked up editorial assignments from National Geographic, Fortune and Vogue, among others, and his total immersion in the color and landscapes of Morocco earned him the 1976 Kodak Prize. Gruyaert's break from television wasn't all peaceful, though: his first serious body of work contained photographs of distorted TV ...